Full course description
This 2-week online course is part of the Iowa Young Writers' Studio Online Camp, Session 1, June 13-26, 2021. There is a separate application process for this course. If you have not been accepted into Session 1 of the Iowa Young Writers' Studio Online Camp you are not eligible to enroll.
It can be tempting to think of a poem as something that only exists on the page – after all, the means by which many of us come to the poetic are often presented as such. In this course, we’ll attend to the material conditions of the page, the sonic and etymological qualities of the English language, and how these concerns can overlap with the content of a poem. What do we do with poems that don’t fit neatly into our ideas of what poems should look like? How do we read them? For that matter, what exactly is an image, and are words related to them? We’ll read excerpts from poets like M. NourbeSe Philip, Alyssa Moore, Apollinaire, Kobayashi Issa, Tommy Pico, William Carlos Williams, Danez Smith, Marianne Moore, Robert Hass, etc. and we’ll look at ancient and nearer examples – texts like Gilgamesh and How to Draw a Plum Blossom, work by the Romantics, and examples of visual and sonic art that overlap with the poetic. We’ll also consider the future of the image as it relates to the poem, and the rhetorical effects of our own decisions as poets. Anything is fair game! This class will include a workshop component, where students will share their own work with each other, and will have regular writing exercises from which we may share the results.
Ryan Tucker is a ceramicist and writer whose research includes theories of material engagement, including the materiality of language, ecopoetics, and politics of the body, specifically in relationship to nostalgia, illness, and pain. His ceramic work looks to find an intersection between the permanence of fired clay and the shifting points of understanding inherent in language. Pluto’s Red, his most recent collection of poems, is being submitted for publication and thinks about the relationship between memories of intimacy, the space race, surveillance, and cartoon dogs. He is a recipient of the Roselyn Schneider Eisner Prize, was a Provost’s Visiting Writer at University of Iowa, and has been published in BOMB Magazine. Currently, he teaches poetry, composition, and literature courses at the University of Iowa and Augustana College.
REGISTRATION & FEES
The fee for this course is $575. Payment in full is required to enroll in the course.
Note: Your credit card payment will be processed by an external provider and will appear on your credit card statement as “UI Writing—Magid Center."
Cancellation Policy: A $100 cancellation fee will be applied to refunds for cancellations received by Tuesday, June 1, 2021. Thereafter, no refunds will be available.
Contact the Iowa Young Writers' Studio: firstname.lastname@example.org.